Works/Exhibitions
2013
- photograms for Bischof + Klein GmbH & Co. KG
- drawings
2012
2011
Object series IDENTIFICTION:
- “Little Miss Self Destruct” (41 x 20 x 20 cm)
2010
- „Heimspiele 1“ and „Heimspiele 2“ (coloured drawings printed on canvas, each 30 x 30 cm)
- various works with Photoshop
- various cover designs for the debut album „Spiel mit mir“ of band Heimspiel as well as photos for the CD booklet
Object series IDENTIFICTION:
- “What the hell ruined you that way ?“(27,5 x 27,5 x 63 cm)
- “Icon Del“ (40,5 x 50,5 x 10 cm)
2009
- “The Uses Of Literacy”, Yorkshire Sculpture Park (UK), 06.06. – 05.07.09
Object series IDENTIFICTION:
- “I can’t get no…!“ [machine version] (28 x 15,5 cm)
- “I can’t get no…!“ [med. version] (14,5 x 9,5 x 4,3 cm, edition of 2)
- “If I knew you were comin’, I’d have baked a cake” (34 x 17,5 x 16,5 cm)
- “Die Ich-GG“ (29 x 20 x 16 cm)
- “CSI Sorrow“ (29 x 20 x 16 cm)
- “Placeboman“ (Höhe 28 cm, Ø 12 cm)
- “The grain of truth“ (30 x 25 x 11 cm)
- “Sunday Blues“ (37 x 23 x 18 cm)
- concert photography: Heimspiel
2008
- photogram: „Road accident incl. postage“ (4-piece work, size 81,2 x 61 cm)
- Exhibtion of various photograms from the series „identifiction 8“, “One of the best comedies of our time” and “Placebo” at the “1. Tecklenburger Fotoherbst”, Kulturhaus Tecklenburg
(06.10. – 31.10.08)
- photogram: „Jesus loves u when he’s high“ (4-piece work, size 81,2 x 61 cm)
„The quartering suggests a cross, which could well represent a window cross. On the one hand this imaginary window can act as an unwanted aloofness of the scenario. But also as an absolutely necessary distance piece to the scenario. Some things should better remain apparitional and should not get within direct reach. Hanging on the wall it looks like a trophy.” – C
Object series IDENTIFICTION:
- “Best before…”
- „30 11 18 24“ (77 x 39 x 39 cm)
2007
- photograms: series „identifiction 8“
„Who am I ? If the most important person in your life dies, you’ve got to find yourself anew. Who am I ? Can I, just like during a self autopsy, identify myself via my teeth and fingerprints ? Who am I ? Does a barcode hold this information ready, neatly portioned, ready to be scanned ? Who am I ?
_The mystery has finally been unravelled.
Leave this space blank_”
Object series IDENTIFICTION:
- „This is no drill. We thank you for your cooperation.“
2006
- photograms: series “One of the best comedies of our time”
“Bird flew meets surrealism !” – C
2005
- photograms: “The Anselmo Series”
“When I saw them in their transparent transport boxes, one neatly squeezed next to the other, I felt instantly drawn to these rubber masks which the Red Cross uses for their first aid courses incl. mouth-to-mouth resuscitation. They appear intriguingly human and in their silent dignity, with their eyes closed, they seem to be full of wisdom and seem to defend old values and morals in a futuristic, modern world.“ – C
- photograms of and for Swedish band United
2004
- photograms: work on ‘THE STEFBOX’ completed
“The concept box contains a collection of 30 photograms all portraying Placebo’s bassist Stefan Olsdal, who turned 30 at the end of March.” – C
- photograms: Placebo
- concert photography: Placebo in England, Belgium (on stage), Switzerland (on stage) as well as backstage & on stage shots at Leeds and Reading Festival commissioned by Placebo
“You capture us beautifully and I think our personalities really come out.” - Stefan Olsdal
- Reprint of “The Uses Of Literacy” book (see 1999, Nicky Wire drawing) in 2004, after Jeremy Deller got nominated for the prestigious Turner Prize, which he then won in London on 6th December 2004. Congratulations, Jeremy !
- participation in the ‘International Marianne Brandt Contest – Poetry Of The Functional’ (three photograms on architecture submitted)
- concert photography: Saint Silas Intercession
2003
- concert photography: Placebo
- photograms: family members
- November: work on ‘THE STEFBOX’ starts
2002
- b/w photograms (development of her own technique): Placebo, Sneaker Pimps
- “Trash Palace” photograms for French producer Dimitri Tikovoi (intended for use on the official Trash Palace website)
[“It’s just too cool ! Many, many thanx to your genius mind !” – Dimitri]
“The initial idea was to do one photogram for each song from the ‘Positions’ album. To visualize ‘Je T’aime (Moi Non Plus)’ I chose a tattoo heart with a banner across it that was saying ‘Moi non plus’. I found it quite funny and also honest because nobody actually would get a tattoo like this done – a heart saying ‘don’t love you either’. And there’s a choir of angels just about visible above the heart…Dimitri enthused, ‘I love the idea of the moi non plus tattoo on the heart, maybe I should do it !’” – C
- concert photography: Sneaker Pimps (Germany), Trash Palace (France)
“Most of the photos that I had taken of Placebo and other bands in the past years were used for the online version of ‘carpe diem’. The website went online in April 2002 and was very successful and popular among the music fans. I continued to be responsible for the whole contents of cd, like writing the articles/reviews, finding the latest news, taking the pictures, preparing and doing interviews, corresponding with the fans and making new ‘n interesting contacts as well as advertising the site and sending out newsletters. Naturally some of my drawings and cartoons were on display as well.”
2001
- concert photography: Placebo live in Germany, France, Austria, the Czech Republic, Luxembourg, Holland, England and the USA
- concert photography: Sneaker Pimps (Luxembourg, Germany)
- “The Uses Of Literacy” at BIM (9e Biennale de l’image en movement de St-Gervais/9th Biennial of Moving Images organised by Centre pour l’image contemporaine) 2001, St-Gervais/Geneva, Switzerland, 04.12. – 16.12.01
2000
- linocuts: individual portraits of the members of Placebo (03/2000 – 03/2001)
- concert photography: Placebo, Muse, Gloria
1999
- “The Uses Of Literacy” book published by Book Works, London, 01.05.99, in an edition of 1.500, featuring the Nicky Wire drawing
“Jeremy Deller’s The Uses of Literacy was originally an exhibition of art works produced by fans of the Manic Street Preachers. The project was a poetic visual record – seen through often extraordinary images – of the screams, sighs and whispers of some remarkable young people. Embracing the cultural commentary of the Manic Street Preachers, Jeremy Deller encapsulated the creative genius of the young artists’ personal feelings and thoughts.” – Marc Casnewydd
“Jeremy talks about the fans as being the ‘moral shareholders’ of a band, the keepers, or creators, of their soul in the face of inevitable commercial compromises, and about the way the fans, through their love, give it all meaning and make their subjective world live. I think that’s absolutely true.” – C
- concert photography: Placebo/Hurricane Festival, Nine Inch Nails, Dream City Film Club
1998
- “The Uses Of Literacy” at Arnolfini, Bristol, as part of a show called “Voiceover – sound and vision in current art”, 30.01. – 22.03.98
- March issue of UK music magazin ‘Select’ features “Taking The Piss Artist” article on Jeremy Deller with reproduction of Nicky Wire drawing [“Nicky saw it & really liked it” - Jeremy Deller]
- “The Uses Of Literacy” at South London Gallery, as part of the “Lovecraft” show, 03.04. – 10.05.98
- “The Uses Of Literacy” at the Oriel Mostyn Art Gallery, Llandudno (North Wales), as part of “Voiceover” show, 12.06. – 11.07.98
- “The Uses Of Literacy” at Nottingham Castle Museum & Art Gallery, as part of “Voiceover” show, 11.09. – 01.11.98
- concert photography: Placebo, Nick Cave & The Bad Seeds
1997
- felt-tip pen drawings of James Dean Bradfield, Richey Edwards and Nicky Wire are featured in “The Uses Of Literacy” – a show featuring artwork on the Manic Street Preachers, put together by London conceptual artist Jeremy Deller (winner of the prestigious Turner Prize in 2004) acting as curator/facilitator here, exhibited at The Cabinet Gallery, London, 17.04. – 24.05.97
[the whole collection was bought by an American art collector at that point of time]
1996
- felt-tip pen drawings of various bands and artists (e.g. Placebo, Manic Street Preachers, David Bowie, Jarvis Cocker/Pulp) to illustrate her publication “carpe diem”, a music fanzine written in English and read in 20 countries [more drawings and cartoons for cd followed in a space of 4 years, e.g. more Placebo, Marilyn Manson, Bowie]
“The drawing I did of Jarvis Cocker showed him sitting inside a Pulp handbag with a speech balloon saying, ‘Never leave your handbag unattended…’. Jarvis thought it was great and wrote, ‘It’s true !’ next to it when I showed it to him.” – C
- concert photography: Manic Street Preachers, Placebo, SWF3 Festival
1995
- “Suede” calendar 1996 published [feat. 12 drawings of Brett Anderson & Co.], limited edition of 100
„I think that it looks great and I’m sure that the band will love it. Simon [Gilbert] saw it yesterday and he was very impressed.” – Charlie Charlton, Suede’s Manager
1994
- felt-tip pen drawings [Suede etc.]
1993
- two works exhibited in group exhibition at Les Club des Arts at the Council Of Europe, Strasbourg/France (08.11. – 03.12.93): a collage on the subject Shakespeare [“The Power Of The Words”] as well as a black pastel of Madonna [“Essential Limelight”, which specifically was a work submitted on that year’s subject “Light”]
1990
- “Modern painting and drawing”
solo exhibition at Stadtsparkasse Lengerich (22.01. – 09.02.90), mixed subjects feat. works in charcoal, pastels, felt-tip pen, crayon, watercolour, pencil and poster paint as well as photo montage, collage and marbled paper [incl. pastels of David Bowie, charcoal/pastels of Madonna, poster paint portrait of Ryuichi Sakamoto]
